Abstract

Dawn Culbertson was an eclectic musician and composer based in Baltimore who experimented with the lute and recorder. Her papers contain original manuscript compositions, personal papers primarily from her student years, and recordings of her radio show, Exploring Early Music.

Abstract

Franz Carl Bornschein (1879-1948) was a composer of more than 200 works, primarily vocal music, and a professor of violin and composition at the Peabody Conservatory. His papers include scrapbooks, clippings, correspondence, photographs, personal papers, manuscript and printed scores, and the personal papers of his wife, Hazel Knox Bornschein.

Abstract

Howard Thatcher was a pianist, organist, composer, and teacher in the Baltimore area. He was an alumnus of Peabody who taught harmony, counterpoint, orchestration, and composition for the Peabody Conservatory. The Howard R. Thatcher papers contain his manuscript and published scores as well as personal papers.

Abstract

Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.

Abstract Louis Lombard was a violinist, composer, and conductor who founded the Utica (N.Y.) Conservatory of Music in 1889 and led an orchestra at his estate in Switzerland in the early twentieth century. The Louis Lombard papers contain published scores of Lombard's music for piano, voice, chamber ensemble, and orchestra, and personal and professional documents such as newspaper clippings, correspondence, and concert programs. Correspondents include Jules Massenet, John Philip Sousa, Ella Wheeler...

Abstract

The Marion Rosette papers contain scores, working documents, personal papers, and recordings from Rosette’s career as a composer and arranger of children's music.

Abstract

Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.

Abstract

Morris Moshe Cotel (1943-2008) was a composer and pianist who was a member of the Peabody Conservatory faculty from 1972 to 2000. The Morris Moshe Cotel papers consist of letters from Cotel to his first wife, Karen Schwartzman, while Cotel was living in Rome and Israel in 1967 and 1968, as well as manuscript facsimile scores of two of his early compositions.

Abstract

Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.

Abstract

The collection contains letters and postcards from composer Stefans Grové to Peabody music librarian Brad O'Keefe from 1972 to 1974, shortly after Grové had stopped teaching at the Peabody Conservatory and returned to his native South Africa.

Abstract

The Women Composers Orchestra operated in Baltimore from 1985 to 1995 with the mission to perform compositions of women composers both past and present. The collection primarily consists of the organization's administrative documents.